By Alicia Gasper De Alba
In Chicana/o pop culture, not anything indicates the operating classification, highly-layered, textured, and metaphoric sensibility often called "rasquache aesthetic" greater than black velvet paintings. The essays during this quantity study that aesthetic by means of icons, heroes, cultural myths, well known rituals, and border matters as they're expressed in various methods. The members dialectically have interaction equipment of well known cultural reviews with discourses of gender, sexuality, identification politics, illustration, and cultural construction. as well as a hagiography of "locas santas," the publication comprises experiences of the sexual politics of early Chicana activists within the Chicano formative years circulation, the illustration of Latina our bodies in well known magazines, the stereotypical renderings of recipe books and calendar artwork, the ritual functionality of Mexican femaleness within the quinceañera, and mediums during which Chicano masculinity is measured.
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Extra info for Velvet Barrios: Popular Culture and Chicana/o Sexualities
11 Yet without exception the Pachuco is seen from the outside, not only through the dark glasses of racial bigotry, but also through the bifocals of cultural (read class) superiority, through the rose-colored spectacles of liberal sympathy, through the magnifying glasses of Mexican American middle-class defensiveness, through the pince-nez of Pocho superiority, through the polarizing filters of brown power, through the nostalgic stereoscopes of Chicano recollection, only rarely without an intervening lens and not yet from inside him.
Recent media attention has focused on the fact that rape evidence kits (which are described as a “second rape”) are frequently never processed. 11. Castillo, So Far, 96. 12. , 102. 13. , 101. 14. , 97–98. 15. , 191. 16. , 192. 17. , 193. 18. , 198. 19. , 192–193. 20. , 198. 21. , 204. A CHICANA HAGIOGRAPHY FOR THE TWENTY-FIRST CENTURY Í 15 22. 4 (1998): 888–916. 23. , 904. 24. , 890. 25. Ibid. 26. Castillo, So Far, 60. 27. , 138, 223. 28. , 38. 29. A New Mexican apparition dating to the seventeenth century and thought to be a Franciscan nun, Mother María de Jesús, from the convent in Agreda, would appear to warn the native people of the Franciscans’ impending arrival.
20. , 198. 21. , 204. A CHICANA HAGIOGRAPHY FOR THE TWENTY-FIRST CENTURY Í 15 22. 4 (1998): 888–916. 23. , 904. 24. , 890. 25. Ibid. 26. Castillo, So Far, 60. 27. , 138, 223. 28. , 38. 29. A New Mexican apparition dating to the seventeenth century and thought to be a Franciscan nun, Mother María de Jesús, from the convent in Agreda, would appear to warn the native people of the Franciscans’ impending arrival. Marta Weigle and Peter White, The Lore of New Mexico (Albuquerque: University of New Mexico Press, 1988), 316.