By Ben Sammler, Don Harvey
The Technical short is a suite of single-focus articles on technical construction suggestions, released thrice a yr by means of the distinguished Yale college of Drama. the first target of the booklet is to percentage inventive options to technical difficulties in order that fellow theatre technicians can steer clear of having to reinvent the wheel with every one new problem. the variety of issues contains surroundings, props, portray, electrics, sound and costumes. The articles every one describe an technique, machine, or strategy that has been validated on level or in a store via scholars and professionals.
a few articles integrated are:
Building genuine Elizabethan Ruffs; basic and cheap Stained Glass; A Quick-Load flooring Pulley layout; an easy method of Stretching Drops; Flexi-Pitch break out Stairs; Spot-Welding Scrim with Sobo; Handrail Armatures for a Grand Staircase; The Triscuit-Studwall Deck approach; A Frameless Turntable; Stand on level: minimal Weight, greatest impact; A Self-Paging Cable Tray; curler Chain Turntable Drives; A Bench-Built XLR Cable Tester
Read or Download Technical Design Solutions for Theatre. The Technical Brief Collection Volume 2 PDF
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The Technical short is a set of single-focus articles on technical construction options, released thrice a 12 months through the celebrated Yale college of Drama. the first aim of the ebook is to percentage inventive options to technical difficulties in order that fellow theatre technicians can keep away from having to reinvent the wheel with each one new problem.
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Additional resources for Technical Design Solutions for Theatre. The Technical Brief Collection Volume 2
The complete processing patch comprised two pitch shifts - one a n octave lower than the actor’s vocal pitch; the other, six tones higher (with regeneration applied) - followed by a variable low-pass resonant filter. Using the processor’s internal mixer, a small amount of the original voice signal was mixed back into the processed signal to enhance dialog intelligibility. The actor was given expressive control of the processor through use of a backstage Peavey PC 1600, a MIDI (Musical Instrument Digital Interface) fader board which was programmed to generate MIDI controller #6 in response to the actor’s movement of a fader.
Ley A Motorized, Mirrored Rain Effect For the Yale Repertory Theatre's 1997 production of The Skin of Our Teeth, Director Liz Diamond and Lighting Designer Jennifer Tipton wanted to create a 5-minute stylized lighting effect to simulate the downpour during the flood. Since renting a scene machine was beyond the budget allocated for this effect, we looked for alternative solutions. Harking back to the days of disco, we experimented with the mirror-ball method of reflecting light. We worked with a lighting instrument and a drum covered in mirrored tiles - a rain drum.
Buying four new pieces would have been beyond our budget, as would recovering four stock pieces in Naugahydem. Though vinyl would have cost less, using it would have limited the designer's color choices and might have been quite troublesome for me, an inexperienced upholsterer. Thus, in the end we adopted Michael Yeargan's suggestion that muslin could be painted and finished to look exactly like Naugahydeo - from an audience's vantage point anyway. The technique is quite simple and for us was cost-effective enough that we were able to afford two good sofas and two solid chairs in a hotel liquidation sale.