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By Alec Mills

A veteran of 7 Bond movies finds behind-the-scenes stories of the preferred movie series—with a foreword by means of Roger Moore, and plenty of formerly unpublished photos

Beloved cameraman and director of images Alec turbines, a veteran of 7 James Bond videos, tells the interior tale of his 20 years of filming cinema's most renowned undercover agent. between many funny and touching anecdotes, turbines finds how he grew to become a vital part of the Bond kin as a tender digital camera operator on 1969's On Her Majesty’s mystery Service, how he bore the brunt of his outdated good friend Roger Moore's mythical on-set bantering, and the way he rose to develop into the director of images in the course of Timothy Dalton's tenure as 007. generators additionally appears again on a profession that took in Return of the Jedi on movie and The Saint on tv with wit and affection, and this memoir includes a lot of his and Eon Productions' unpublished behind-the-scenes images compiled over a life of filmmaking. that includes many huge names, this publication should be essential for either the James Bond and picture historical past aficionado.

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Shooting 007: And Other Celluloid Adventures

A veteran of 7 Bond motion pictures finds behind-the-scenes stories of the preferred movie series—with a foreword by way of Roger Moore, and plenty of formerly unpublished pictures loved cameraman and director of images Alec turbines, a veteran of 7 James Bond videos, tells the interior tale of his 20 years of filming cinema's most famed undercover agent.

Extra resources for Shooting 007: And Other Celluloid Adventures

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Lil smiled when she reminded me of those past early years as we strolled down memory lane. In a strange way, those scenes reflected both my life and career, somehow mirroring those fairy tales. I had to think carefully about how I would write about my life and profession. I want not only to write about the film world – so unlike the current technology of high-definition digital cameras – but also to share my hidden emotions, which may be difficult to explain. But I will try … Autobiographies of my predecessors, the people who contributed much to my filming education over the years, were useful, as were my personal experiences in a fast-changing film industry.

Be that as it may, my physical condition remained good for my age – brain still functioning normally, my enthusiasm and energy have never faded. It was there for all to see. The problem now was that the phone had stopped ringing. Suzy was right – I had been rumbled … What to do? It would be easy to sit down in a comfortable armchair and reflect on days gone by, making notes or perhaps watching one of my old films on the telly, if only to lift my morale, my self-esteem. But this would inevitably depress me too, knowing that my work could have been better had it not been compromised by schedules which were more important for the director; at least I could improve the lighting in my head.

This may seem strange, but I don’t recall ever being frightened by this: concerned possibly, interested certainly, but terrified – I don’t think so. Everything seemed unreal … A strange atmosphere now takes over as ladies silently pray under their breath, their moving lips betraying their inner thoughts; God’s protection was needed now more than ever! One night their prayers failed when relatives living in nearby in Woodchester Street were killed in the bombing; their home was flattened by a German bomb.

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