Download Play On: Now, Then, and Fleetwood Mac: The Autobiography by Anthony Bozza, Mick Fleetwood PDF

By Anthony Bozza, Mick Fleetwood

"After forty-six years of being at the highway, this can be the fitting time to seem again in a fashion I've by no means performed ahead of: every now and then. this is often the tale of my lifestyles in rock and roll -- and the way the band that has intended every thing to me got here to outline me. I'm waiting for sharing it with you."

Mick Fleetwood has been a member of the ever-evolving Fleetwood Mac, one of many world's such a lot winning and cherished bands, for over 4 many years. the following he tells the complete and candid tale of his lifestyles as considered one of music's maximum drummers and bandleaders, the cofounder of the deeply enjoyed supergroup that bears his identify and that of his bandmate and lifetime pal John McVie.

In this intimate portrait of a lifestyles lived in track, Fleetwood vividly remembers his upbringing tapping alongside to each tune enjoying at the radio, his reviews as a musician in '60s London, and the earliest permutation of the band that includes Peter Green.

Play On sheds new gentle on Fleetwood Mac's raucous heritage, describing the highs and lows of being within the band that Fleetwood was firm to maintain jointly. the following he displays at the construction of landmark albums corresponding to Rumours and Tusk, the nice loves of his lifestyles, and the numerous awesome and outrageous moments of recording, traveling, and dwelling with Fleetwood Mac. Fleetwood describes those moments with honesty and immediacy, taking us to the very middle of this multilayered trip that has continuously been anchored in music.

Through all of it, from extreme like to plaintive heartaches, from collaborations to confrontations, it's been the force to play on that has prevailed. Now, then, and regularly, it's Fleetwood Mac.

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Additional resources for Play On: Now, Then, and Fleetwood Mac: The Autobiography

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Lasting gratitude to GERARD PURCELL who believed concretely and to TONY D’AMATO who understood. Thanks to ABBEY LINCOLN ROACH for naming my book. A final thanks to my editor at Random House, ROBERT LOOMIS, who gently prodded me back into the lost years. “What you looking at me for? I didn’t come to stay …” I hadn’t so much forgot as I couldn’t bring myself to remember. Other things were more important. “What you looking at me for? I didn’t come to stay …” Whether I could remember the rest of the poem or not was immaterial.

The smudged footprints were easy to erase. I worked for a long time on my new design and laid the rake behind the wash pot. When I came back in the Store, I took Momma’s hand and we both walked outside to look at the pattern. It was a large heart with lots of hearts growing smaller inside, and piercing from the outside rim to the smallest heart was an arrow. ” 6 Reverend Howard Thomas was the presiding elder over a district in Arkansas, that included Stamps. Every three months he visited our church, stayed at Momma’s over the Saturday night and preached a loud passionate sermon on Sunday.

One greeting a day was all that could be expected from Mr. McElroy. After his “Good morning, child,” or “Good afternoon, child,” he never said a word, even if I met him again on the road in front of his house or down by the well, or ran into him behind the house escaping in a game of hide-and-seek. He remained a mystery in my childhood. A man who owned his land and the big many-windowed house with a porch that clung to its sides all around the house. An independent Black man. A near anachronism in Stamps.

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