By Douglas Kahn
This interdisciplinary historical past and thought of sound within the arts reads the 20th century by way of hearing it—to the emphatic and unprecedented sounds of modernism and people at the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the beef voices of viruses, screams, and bestial cries. targeting Europe within the first half the century and the USA within the postwar years, Douglas Kahn explores aural actions in literature, tune, visible arts, theater, and movie. putting aurality on the heart of the heritage of the humanities, he revisits key creative questions, hearing the sounds that drown out the politics and poetics that generated them. Artists mentioned comprise Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
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Extra info for Noise, Water, Meat: A History of Sound in the Arts
336 10. A. A. E. Khiakin, The Theory of Oscillations (Fizmatizdat, Moscow, 1959), p. 915 11. B. Van-der-Paul, Nonlinear Theory of Electrical Oscillations (Gosizdat on communication techniques, Moscow, 1935), p. 42 12. V. N. Kovtun, in Estimation of Self-oscillation Parameters of the Systems with Coulomb’s Friction, ed. F. Ushakov. Dynamic Characteristics of Mechanical Systems, Collection of Science Papers (Kiev, 1984), pp. 3–7 13. V. ), Instruments and Systems for Measuring Vibration, Noise and Impact, vol.
During a working shift . Non-constant Noise. The equipment operating in a cyclic mode, trains or cars passing by and ﬂying past airplanes are generating a rapidly varying noise. The noise level of each machine cycle is measured by the method similar to the continuous noise but with account of a cycle time. When estimating the noise level each passing by car or train, or airplane is termed an “event”. To determine the noise level of an event one should ﬁrst measure the level of noise exposition (background noise) that unites noise levels and duration of the event in a single descriptor.
That is why, the approximate methods are most often employed in engineering design. A. Vyshnegradskii was the ﬁrst to propose the method based on the assumption that the properties of stability of a steady motion are displayed by a system even in the slightest perturbed motions generated within a short time interval after lending a minor initial perturbation to the system. Proceeding from this fact, all the terms above the ﬁrst order relative to the coordinates and velocities are discarded and the conclusion on the nonperturbed motion stability is achieved in the form of integrals of the linearized equations.