Download Musical Instruments in the 21st Century: Identities, by Till Bovermann, Alberto de Campo, Hauke Egermann, PDF

By Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl

By exploring the numerous differing types and varieties of modern musical tools, this ebook contributes to a greater knowing of the stipulations of instrumentality within the twenty first century. supplying insights from technological know-how, humanities and the humanities, authors from quite a lot of disciplines talk about the next questions:

· What are the stipulations less than which an item is famous as a musical instrument?

· What are the activities and approaches in general linked to musical instruments?

· what sort of (mental and actual) wisdom can we entry so that it will realize or use whatever as a musical instrument?

· How is that this wisdom being formed by way of cultural conventions and temporal conditions?

· How do algorithmic strategies 'change the sport' of musical functionality, and for that reason, how do they impact notions of instrumentality?

· How can we deal with the query of instrumental identification inside of an instrument's layout process?

· What homes can be utilized to distinguish profitable and unsuccessful tools? Do those houses additionally give a contribution to the instrumentality of an item generally? What does good fortune suggest inside a creative, advertisement, technological, or clinical context?

Show description

Read or Download Musical Instruments in the 21st Century: Identities, Configurations, Practices PDF

Similar acoustics & sound books

Acoustics: an introduction

This definitive textbook offers scholars with a accomplished creation to acoustics. starting with the fundamental actual rules, Acoustics balances the basics with engineering points, purposes and electroacoustics, additionally protecting song, speech and the houses of human listening to. The recommendations of acoustics are uncovered and utilized in: room acoustics sound insulation in structures noise regulate underwater sound and ultrasound.

Engineering Noise Control Theory and Practice, Fourth Edition

The emphasis of this version is only on passive technique of noise keep an eye on and the bankruptcy on lively noise keep an eye on that seemed within the moment and 3rd variations has been changed with a bankruptcy on sensible numerical acoustics, the place it truly is proven how loose, open resource software program can be utilized to resolve a few tough acoustics difficulties, that are too advanced for theoretical research.

Extra info for Musical Instruments in the 21st Century: Identities, Configurations, Practices

Sample text

Paris: Kimé. , & Guralnik, D. B. (1994). Webster’s New World Dictionary Dictionary of American English. New York: Prentice Hall. Rastier, F. (1991). Sémantique et recherches cognitives. PUF: Formes Sémiotiques. Paris. , & Rey, A. ). (2007). Le nouveau petit Robert: dictionnaire alphabétique et analogique de la langue française. Paris: Dictionnaires Le Robert. Schaeffner, A. (1994). Origine des instruments de musique: Introduction ethnologique à l’histoire de la musique instrumentale. Paris: Editions de l’Ecole des Hautes Etudes en Sciences Sociales.

Org/2493. Accessed April 16, 2016. Brunner, C. (2009). A cultural approach toward the notion of the instrument. In Proceedings of the International Computer Music Conference (ICMC), Montreal, Canada. Montreal. Cadoz, C. (1999). Musique, Geste, Technologie. In H. Genevois & R. ), Les nouveaux gestes de la musique (pp. 47–92). Marseille: Editions Parenthèses. , & Dubois, D. (2015). Dire notre expérience du sonore: nomination et référenciation. Langue française, 188(4), 15–32. , & Dubois, D. (2013).

Vii Concerning the musical quality of sounds, the music historian Michaud-Pradeilles (1983) recommends focusing on the function or the use of the instrument […] without any restrictive criterion, such as whether it is or is not made by a human being. viii This overview of instrument definitions by academics in musicology and the philosophy of the arts shows how perilous this undertaking is. If musical instruments are characterised by their capacity to produce sounds, one cannot neglect their symbolic and functional role.

Download PDF sample

Rated 4.84 of 5 – based on 22 votes