By Harry F. Olson
This terribly entire textual content, requiring no exact history in physics, math or song, discusses the character of sound waves, musical tools, musical notation, acoustic fabrics, components of sound copy systemsвЂ”from the phone to stereo sound systemsвЂ”and digital track. ''Very thorough, and whole of well-presented facts.''вЂ”Musical instances. 376 figures.
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Extra info for Music, Physics and Engineering
Only a lexical bad posture to distinguish narration from its inherent pain. • • • • • White Noise: Nearly all voices of the dead speak in a single French idiom. Everything they say is l’esprit de l’escalier—the wit of the staircase—the words of retort and returned derision we wish we’d had at the moment of the inflicted wound. Such words fail us in that moment’s present tense, and it is only in the past, as it becomes present to us while we beat a hasty retreat, that le mot juste becomes clear to us.
HeadHole Malfunctions and Dysfunctions of an FM Exciter Christof Migone Quietly, let’s unplug everything, blindfolded. Ears plugged, nose clamped, tongue tied, let’s strip the hardware off radio. The exciter, heart of the FM transmitter, comes last. Once off, the purring winds down and we find ourselves radiophilic without transmitter. Commonly, the resultant dead air spells anguish and panic. No longer can the signal signify the voice and radiate it with power. For the moment, however, we will dwell and even revel in the air dead.
On souffle de mourir. La parole et la mort. We are, in speaking, inspired to die. A conflation-translation which is itself breathing. We inhale French and exhale English. Speech: a rate of expiration with a date of expiration. ” Only a lexical bad posture to distinguish narration from its inherent pain. • • • • • White Noise: Nearly all voices of the dead speak in a single French idiom. Everything they say is l’esprit de l’escalier—the wit of the staircase—the words of retort and returned derision we wish we’d had at the moment of the inflicted wound.