By Professor Alan Rosenthal
Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes examine the lifetime of documentary filmmaker Alan Rosenthal, the maker of over sixty movies together with Day of Peace, Out of the Ashes, A country Is Born, and close to Peace. As a witness to quite a bit fresh Israeli heritage via a camera’s viewfinder, Rosenthal himself makes as a lot of a fascinating topic because the occasions he files. Born in London in 1936, Rosenthal studied legislation at Oxford ahead of starting his paintings in tv directing in Israel and the USA. by means of the Nineteen Sixties he was once a longtime younger filmmaker who had participated within the filming of the Eichmann trial in Jerusalem in 1961. He again in 1968, in the beginning for only one 12 months, as a part of a staff invited via the Israeli govt to establish the 1st tv community; that 12 months became the thirty-plus years that encouraged this book. The Eichmann trial, the advance of Israel tv, the Oslo contract, the quest for the menorah from the second one Temple, the heritage of Zionism at the tv reveal, and the Yom Kippur warfare and undertaking Renewal are yet the various contemporary moments in Israeli heritage that Rosenthal and his digital camera have witnessed. As he recollects those occasions with humor and wit, Rosenthal’s phrases recapture the feelings and consider of these occasions as vividly as his lens recorded their passing. it is a memoir, no longer a background textbook, and Rosenthal himself is the real topic of the book’s so much intensely own and introspective moments, tales of progress and studying, of britain and kin, of affection and loss, of ideological unhappiness and renewed wish. Rosenthal’s story is considered one of growth towards the fellow he needs to be, the flicks he feels he needs to make, and the cultural id he seeks to boost for himself and all Jewish humans.
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Extra info for Jerusalem, Take One!: Memoirs of a Jewish Filmmaker
This was all fine till Page 2 suddenly, in the midst of viewing, he stopped and threw up his hands in horror. ''Graven images! You've shot graven images. And you've brought them into my house. Fegh upon you. " I looked again. In my shot the artist was admiring the head of a Buddha he had acquired in Indonesia. This was the idol that had offended my editor. We argued, but the scene came out. Of course, he didn't always win. The Friday before, we had been editing a sequence that included a scene in a Tel Aviv café.
No one said anythingit was simply standard procedure. The film itself actually stayed in my mind for many years. The war of attrition with Egypt was still on, and all along the canal I could pick out the bunkers, and the isolated wire surrounded outposts of the Israeli fortifications. In the bunkers the men were cheerful, but there were constant warnings to be careful traveling between the outposts as Egyptian commandos occasionally made forays across the canal. This gave rise to one of the more memorable scenes in the film, where the Israeli soldiers are seen in silhouette as dusk falls, patiently combing for mines.
We shot through Wednesday and Thursday until midnight; and we traveled back through the desert early Friday morning. No one said anythingit was simply standard procedure. The film itself actually stayed in my mind for many years. The war of attrition with Egypt was still on, and all along the canal I could pick out the bunkers, and the isolated wire surrounded outposts of the Israeli fortifications. In the bunkers the men were cheerful, but there were constant warnings to be careful traveling between the outposts as Egyptian commandos occasionally made forays across the canal.