By Sara Pendergast, Tom Pendergast
This complete source presents thorough insurance of flicks and filmmakers via to the spring of 2000. Entrants comprises mythical motion pictures, actors and actresses, administrators, writes and different construction artists. Entries comprise an in depth essay; biographies; filmographies; accomplished credit; significant awards; and up-to-date bibliographies. This fourth variation contains greater than 260 new entries and greater than two hundred up to date entries.
Read or Download International Dictionary of Films and Filmmakers. Vol. 2: Directors PDF
Similar direction & production books
Andrei Tarkovsky (1932-1986) used to be certainly one of Russia's so much influential and well known filmmakers, regardless of an output of simply seven function motion pictures in 20 years. respected via such filmmaking giants as Ingmar Bergman and Akira Kurosawa, Tarkovsky is known for his use of lengthy takes, languid pacing, dreamlike metaphorical imagery, and meditations on spirituality and the human soul.
Almod? var is Spain’s such a lot winning and debatable director, representing a distinct mix of art-house auteur and renowned film-maker. His motion pictures, with their mixture of Hollywood and eu types and of well known melodrama and comedy, were attracting transforming into foreign audiences because the good fortune of ladies at the Verge of a apprehensive Breakdown.
The Technical short is a set of single-focus articles on technical construction recommendations, released 3 times a 12 months through the distinguished Yale institution of Drama. the first aim of the booklet is to percentage artistic ideas to technical difficulties in order that fellow theatre technicians can keep away from having to reinvent the wheel with each one new problem.
A veteran of 7 Bond motion pictures unearths behind-the-scenes stories of the preferred movie series—with a foreword by way of Roger Moore, and lots of formerly unpublished photographs loved cameraman and director of images Alec turbines, a veteran of 7 James Bond video clips, tells the interior tale of his 20 years of filming cinema's most renowned undercover agent.
- Len Jenkin's Theatre: Wonder and Heart
- Photography, Cinema, Memory: The Crystal Image of Time
- Woman in Lars von Trier’s Cinema, 1996–2014
- The Focal Easy Guide to Combustion 4: For New Users and Professionals
- George Lucas: A Biography
Extra resources for International Dictionary of Films and Filmmakers. Vol. 2: Directors
But his style is as masterful as ever, reaching a kind of austere grandeur reminiscent of Byzantine mosaics. Few have blended political investigation with a search for new forms of expression with such satisfying results. Ulysses’ Gaze is exclusively preoccupied with the problems of historical reconstruction and personal remembrance. The ﬁlm, co-scripted by the legendary European screenwriter Tonino Guerra, carries out a nostalgic reconstruction of peaceful and colorful ethnic cohabitation at the Balkan crossroads between Orient and Occident.
Films (Conception, Direction, Photography, and Editing): 1941 Who Has Been Rocking My Dream Boat 1941/42 Tinsel Tree 1942 Prisoner of Mars 1943 The Nest 1944 Escape Episode Kenneth Anger 29 DIRECTORS, 4th EDITION ANGER Drastic Demise Escape Episode (sound version) Fireworks* (+ role as The Dreamer) Puce Women (unﬁnished) Puce Moment*; The Love That Whirls (unﬁnished) La Lune des Lapins* (Rabbit’s Moon) (conception, d, and ed only, + prod. ’’ Other Films: 1985 He Stands in a Desert Counting the Seconds of His Life (role as himself) 1992 Hollywood Babylon (for TV) (advisor) 1993 Jonas in the Desert (role as himself) 1998 Busby Berkeley: Going through the Roof (for TV) (role as himself); Donald Cammell: The Ultimate Performance (role as himself) Publications By ANGER: books— Hollywood Babylon, Phoenix, Arizona, 1965; reprinted San Francisco, 1975.
4, 1983. , ‘‘Capra and Altman: Mythmaker and Mythologist,’’ in Literature/Film Quarterly (Salisbury, Maryland), January 1983. , and P. Audferheide, ‘‘Secret Honor,’’ in Cineaste (New York), vol. 14, no. 2, 1985. Farber, Stephen, ‘‘Five Horsemen after the Apocalypse,’’ in Film Comment (New York), July/August 1985. Self, Robert, ‘‘Robert Altman and the Theory of Authorship,’’ in Cinema Journal (Champaign, Illinois), Fall 1985. ‘‘Altman Section’’ of Positif (Paris), January 1986. , ‘‘Play Time,’’ in Film Comment (New York), JanuaryFebruary 1986.