Download International Dictionary of Films and Filmmakers. Vol. 2: by Sara Pendergast, Tom Pendergast PDF

By Sara Pendergast, Tom Pendergast

This complete source presents thorough insurance of flicks and filmmakers via to the spring of 2000. Entrants comprises mythical motion pictures, actors and actresses, administrators, writes and different construction artists. Entries comprise an in depth essay; biographies; filmographies; accomplished credit; significant awards; and up-to-date bibliographies. This fourth variation contains greater than 260 new entries and greater than two hundred up to date entries.

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Extra resources for International Dictionary of Films and Filmmakers. Vol. 2: Directors

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But his style is as masterful as ever, reaching a kind of austere grandeur reminiscent of Byzantine mosaics. Few have blended political investigation with a search for new forms of expression with such satisfying results. Ulysses’ Gaze is exclusively preoccupied with the problems of historical reconstruction and personal remembrance. The film, co-scripted by the legendary European screenwriter Tonino Guerra, carries out a nostalgic reconstruction of peaceful and colorful ethnic cohabitation at the Balkan crossroads between Orient and Occident.

Films (Conception, Direction, Photography, and Editing): 1941 Who Has Been Rocking My Dream Boat 1941/42 Tinsel Tree 1942 Prisoner of Mars 1943 The Nest 1944 Escape Episode Kenneth Anger 29 DIRECTORS, 4th EDITION ANGER Drastic Demise Escape Episode (sound version) Fireworks* (+ role as The Dreamer) Puce Women (unfinished) Puce Moment*; The Love That Whirls (unfinished) La Lune des Lapins* (Rabbit’s Moon) (conception, d, and ed only, + prod. ’’ Other Films: 1985 He Stands in a Desert Counting the Seconds of His Life (role as himself) 1992 Hollywood Babylon (for TV) (advisor) 1993 Jonas in the Desert (role as himself) 1998 Busby Berkeley: Going through the Roof (for TV) (role as himself); Donald Cammell: The Ultimate Performance (role as himself) Publications By ANGER: books— Hollywood Babylon, Phoenix, Arizona, 1965; reprinted San Francisco, 1975.

4, 1983. , ‘‘Capra and Altman: Mythmaker and Mythologist,’’ in Literature/Film Quarterly (Salisbury, Maryland), January 1983. , and P. Audferheide, ‘‘Secret Honor,’’ in Cineaste (New York), vol. 14, no. 2, 1985. Farber, Stephen, ‘‘Five Horsemen after the Apocalypse,’’ in Film Comment (New York), July/August 1985. Self, Robert, ‘‘Robert Altman and the Theory of Authorship,’’ in Cinema Journal (Champaign, Illinois), Fall 1985. ‘‘Altman Section’’ of Positif (Paris), January 1986. , ‘‘Play Time,’’ in Film Comment (New York), JanuaryFebruary 1986.

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