By Derek Raymond
An axe-wielding psychopath carves younger Dora Suarez into items and smashes the pinnacle of Suarez's good friend, an aged lady. at the comparable evening, within the West finish, a firearm blows the head off the top of Felix Roatta, part-owner of the seedy Parallel membership. The unnamed narrator, a sergeant within the Metropolitan Police's Unexplained Deaths department, develops a fixation at the younger lady whose homicide he investigates. And he discovers that Suarez's loss of life is much more weird and wonderful than suspected: the assassin ate bits of flesh from Suarez's corpse and ejaculated opposed to her thigh. post-mortem effects compound the puzzle: Suarez used to be death of AIDS, however the pathologist cannot inform how the virus was once brought. Then a photograph, provided via a former Parallel hostess, hyperlinks Suarez to Roatta, and inquiries on the membership exhibit how vile and inhuman exploitation can develop into. "I used to be Dora Suarez" is the fourth publication within the "Factory" sequence.
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Additional info for I Was Dora Suarez
He had a long, blank time to make up for; months, pitiless chains of days and nights of hideous, iron struggle, of ruthless training and punishment; there had been nights when he had moaned and screamed out of his broken window into the night of College Hill, wondering if he ever would get into action again, his hands jammed round the black frames. As for his second victim this evening, Betty Carstairs was eighty-six, and that was how she died that night. She had never truly asked herself if the long and arduous history of her life had been worthwhile, or whether indeed it had had any meaning at all; but she had at least supposed that she owned some right to her own body, to give or withhold it while it was still worth looking at, and to continue to live on in it even after it was not.
The only way he managed to fill this gap and exist at all was by his exact memory in the present, and none whatever of the past, which provided him with the illusion of living while he absently suffered and caused pain. By definition, however, there was no possibility whatever of his changing, let alone improving his position in any direction – for how can anyone ever hope to be freed from a situation that he doesn’t understand? Bores and killers are much the same; dullness and despair explains most murders.
His work culminated in the Factory novels, landmarks that have led many to consider him the founding father of British noir. He died in London in 1994. 1 FOR Gisèle, Chopin, Claude and Marie-Pierre Franqueville: I could never have got through this without the four of you. Contents Cover About the Author Title Page Copyright Dedication Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 1 Interrupted by her because she had come to see what was happening next door while he was still finishing up with the girl, the killer came up to the old woman without a word, got hold of her as if she were a load of last week’s rubbish and hurled her through the front of her grandfather clock, which stood just inside the door of the flat, using strength that even he didn’t know he had.