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By Adam Leipzig, Barry S. Weiss, Michael Goldman

The one-stop source for college kids

Script.   Direction.   Design.   Production.   Sound.   Lighting.   Editing.   Effects.   Animation.   Marketing.   Careers.   It’s all the following.

With storytelling and collaboration as middle rules, insiders Adam Leipzig (former President of nationwide Geographic Films), and Barry Weiss (former head of animation at Sony Pictures), with Michael Goldman (prominent journalist and expert), advisor scholars throughout the talents and the craft of video and filmmaking. With remarkable entry to the industry’s so much finished and insightful pros, budding filmmakers will examine strategies from some of the best. This soup-to-nuts ebook is one scholars will hold, and retain utilizing, for years. 

When the booklet is packaged with LaunchPad for Filmmaking in Action, readers achieve entry to unique "How do I?" advice video clips with execs who've labored on video clips like Ant guy, Argo, Divergent, Unbroken, The LEGO Movie, Inception, Fight Club, Pineapple Express, Nebraska, The Imitation Game, Alice in Wonderland, Titanic, The Rock, Winter's Bone, celebrity Wars, and lots of extra.

 

 

 

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Extra info for Filmmaking in Action

Sample text

The written word is the first road map for all successful movies, from 2-minute classroom projects to 15-minute thesis films, from 30-second commercials to epic-length features. Even documentaries begin with a written description of their subject matter. Completely visual films, including silent and animated movies, also begin with words. Words are a way of describing your vision for the project, and they help make sure you and your collaborators are literally on the same page. Words are also the most cost effective way to test your storytelling and visual ideas, because it is always better to test your filmic imagination in a document, to make sure it is what you want and communicates that vision to others, before you start spending time and resources actively producing the movie.

First, there is a foundation, followed by wood frames, plumbing, electrical, a roof, etc. With the director’s and designers’ input, the script starts to turn from a document into physical reality. The creative team’s combined vision becomes the basis for determining how the film will actually be planned, shot, edited, and completed. This is what a production manager schedules and budgets before the film gets the final go-ahead—the green light to go into production. ” – Robert Towne, screenwriter of more than thirty-five films, including Chinatown (1974), The Firm (1993), and Mission: Impossible (1996) Start with the Script KEY CONCEPTS ❚ Good movies start with good ideas, and there are many ways to discover good ideas.

The best original stories come from your own awareness—the people, relationships, and actions you have observed, lived, and taken. You need life experiences, sometimes deeply personal and emotional ones, to understand the story you want to tell and to be able to express it well. This doesn’t mean you have to live everything in order to write about it: no screenwriter has ever lived in Renaissance England, but there are many movies that take place there. However, to write effectively about anything, you need to understand the human emotions and motivations of the characters, which means you need to be sensitive to your own life story and emotional responses.

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