By Wilma De Jong
What does it suggest to be a documentary filmmaker in brand new global? How are new applied sciences altering documentary filmmaking? What new sorts of documentary are rising?
Recent technological advancements have made the making and distribution of documentary motion pictures more straightforward and extra common than ever prior to. Creative Documentary: thought and Practice is an cutting edge and crucial advisor that comprehensively embraces those altering contexts and gives you with the guidelines, tools, and demanding figuring out to aid profitable documentary making. It is helping the aspiring 'total filmmaker' comprehend the modern contexts for construction, equipping you furthermore mght with the certainty of creativity and visible storytelling you have to to excel. Bridging the distance among idea and perform, it outlines the modern, institutional, functional and fiscal contexts for construction - continuously encouraging innovation and originality.
- Five sections protecting creativity and artistic documentary and the modern inventive industries: ideas for constructing documentary principles; the artwork of documentary narrative; electronic creation equipment; new documentary varieties; distribution and financing.
- Provides a entire review of severe suggestion and methods in electronic documentary filmmaking.
- Authors and professional members mix the adventure, wisdom and abilities of lecturers and media pros operating within the undefined.
- Practical case stories aid research and mirrored image.
- Exercises, checklists, interviews with pros and additional examining fabrics accompany each one bankruptcy.
- A old assessment of global documentary.
Creative Documentary: thought and perform is a vital consultant for these engaged within the research and perform of documentary idea and making, in addition to key analyzing for these extra commonly attracted to video, movie and media conception and production.
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Additional info for Creative Documentary: Theory and Practice
Indigenous people as protagonists, as humans leading interesting, difﬁcult, complex lives. Trying to make the best. Adapting from our society those things that suited them, that ensured their survival. Making mistakes in that process but also trying to hold on to what it was that they value. (Interview with Luke Holland, 2008) Issues of the representation of people are fundamental to documentary filmmaking and filmmakers should be aware of how they represent their subjects. Filming tribes while they are doing their habitual dancing may be entertaining, but might confirm the stereotype of the ‘wild savage’, despite the intention of giving them a voice.
I think documentary ﬁlmmakers on the whole tend to be slightly left-wing and slightly more caring about the world and social issues. QXD 22 8/2/11 1:31 PM Page 22 PART 1 THE CREATIVE DOCUMENTARY Anand Patwardan: ‘To empower people is to make the unheard voices heard, by recording things that are actually happening, that are not being represented in the mainstream media’. (Chapman, 2007:19) Wanting to change the world, to make a difference is, of course, a laudable aim and a dominant discourse in the documentary filmmaking tradition, but it can also have a paralysing effect on the process.
Audience reactions can sometimes be very surprising and unexpected. But the focus on the interactivity of contemporary media production drives the creation and integration of content across different platforms. 2. Creative practices are intrinsically hybrid The history of documentary filmmaking shows an increased usage of elements traditionally belonging to other forms of media or cultural production: for example, fiction, literary tradition, news or other technologies. QXD 8/2/11 1:31 PM Page 25 CHAPTER 2 THE CREATIVE DOCUMENTARY technologies, such as photography, animation, and graphic design.