By Ray DiZazzo
With the appearance of cheap gear, there are extra possibilities than ever within the box of company media construction. This e-book examines all elements of this inventive box, from notion improvement to the ultimate phases of postproduction. The ebook additionally clarifies the jobs of the author, manufacturer, director and customer whereas concentrating on the dynamics between those key avid gamers. This in-depth booklet captures all of the technical and artistic components utilized in the construction of media within the company international. the recent variation has been up-to-date to mirror the most up-tp-date media construction, enhancing, supply codecs and tactics, with an emphasis on DV. there's fabric at the new electronic video cameras and non-linear enhancing platforms, in addition to an extended dialogue of audio sweetening. a brand new bankruptcy on review demystifies this serious method, and there's a new dialogue of multimedia. * up to date to hide the electronic video revolution's impression at the instruments of company media creation * Covers the inventive and technical facets of the activity * crucial wisdom for someone making plans a occupation in company video
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Extra resources for Corporate Media Production,
Students will also receive a course workbook that includes descriptive artwork showing the new backing procedures. Utilization Drivers will utilize this program on a stand-alone basis in the field. The program will be viewed in yard coffee rooms following the employee’s shift. Each employee will be required to view the program and then pass the videotape on to another employee. Would a program shown as part of a formal training course, with considerable support in terms of an instructor and workbooks, be written in the same manner as one to be viewed by truckers at the end of their shifts on an honor basis?
THE AUDIO BOOM OPERATOR The audio boom operator is the sound recordist’s assistant. He or she attaches the mics or holds them on a boom in position during recordings. He or she may also operate a mixer and maintains mics and batteries to ensure that they are in good working order when needed. THE FLOOR MANAGER OR STAGE MANAGER THE GAFFER The gaffer is an electrician. He or she is the DP’s main assistant. The gaffer sets up lights, checks amperage loads, verifies fuses and breakers, connects generator cables, and basically provides constant lighting and electrical expertise.
How does a producer avoid this pitfall and, at the same time, obtain the information needed to design a successfully targeted program? By taking the first logical step in producing a corporate program: developing a simple front-end analysis—a brief, highly focused look at the basics of what the client wants to accomplish, who the audience is, how the program will be used, and whether it will really benefit the department and the company as a whole. In other words, the producer sets up an initial client meeting and, from the facts gathered in that meeting, develops a document called a program needs analysis (PNA).