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By Ignacio Padilla

Ignacio Padilla nos entrega un libro de ensayos escrito a lo largo de los últimos 15 años con pasión, erudición y enorme sentido del humor. ¿Cuáles fueron las principales aportaciones de Shakespeare y Cervantes? ¿Qué pasaría si nos atreviéramos a comparar los alcances de cada uno? ¿Cómo construirían a sus personajes, por ejemplo, y cuántas de esas técnicas siguen vigentes en nuestros días, influenciando incluso a los angeles cultura renowned? Y sobre todo, ¿en qué medida hemos reducido a un cliché nuestro conocimiento de ambas obras, indispensables para comprender cabalmente lo humano? Haciendo hincapié en su devoción hacia Cervantes, Ignacio Padilla nos invita a examinar l. a. obra de este autor español y cuánto perdemos si evitamos el contacto con ella.

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2). Her companions suggest bowling, then dancing, then storytelling, and then singing; but all to no avail. Finally the gardeners enter—from the Queen’s point of view, as if at last to provide some entertainment and diversion. 27–8). In the event, she gets something rather different from what she might have anticipated.

The pocket-sized hardbacks of the early years contained introductions by Virginia Woolf, T. S. Eliot, Graham Greene, and other literary figures which enriched the experience of reading. Today the series is recognized for its fine scholarship and reliability in texts that span world literature, drama and poetry, religion, philosophy, and politics. Each edition includes perceptive commentary and essential background information to meet the changing needs of readers. THE OXFORD SHAKESPEARE Richard II EDITED BY ANTHONY B.

Each edition includes perceptive commentary and essential background information to meet the changing needs of readers. THE OXFORD SHAKESPEARE Richard II EDITED BY ANTHONY B. DAWSON AND PAUL YACHNIN UNIVERSITY PRESS THE OXFORD SHAKESPEARE General Editor · Stanley Wells ACKNOWLEDGEMENTS Our edition, the last of the Oxford series, has been a long while gestating and during that time we have incurred a number of debts. To previous editors of the play, especially Peter Ure (Arden 2), Stanley Wells (Penguin), Andrew Gurr (Cambridge), John Jowett et al.

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