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Additional info for Adobe Production Premium for Final Cut Studio Editors
Notice when you click a gripper, the tab displays an orange boundary, indicating what you are about to move. To resize a panel, drag the dividing line between panels. If you can’t find a panel or workspace, display it using the Window menu at the top of your screen. Just like Final Cut Pro, OnLocation will remember the last window layout you were using when you quit the application and reopen the same layout the next time you launch the application. If you want to save a particular workspace to use again in the future, choose Window > Workspace > New Workspace.
Calibration. This displays a live video feed directly from your camera, plus audio-level meters, waveform, vectorscope, and histogram video scopes. Production. This reorganizes panels to make it easy to record, review, and analyze clips. Full-screen. Almost any panel can be made full-screen; this option allows you to display a panel, such as the video monitor (called the Field Monitor) or any individual video scope, full screen with tabs to select other panels. Here’s another neat trick. You can move tabs to customize your own workspace.
Complicating matters further, the LCD monitors on most lowend cameras are notorious for their inability to accurately display the video being captured. This puts the camera operators in a very difficult position where they cannot trust what they see at the precise moment of production. However, the scopes in OnLocation have limitations. The waveform monitor defaults to the RGB scale of 0–255 rather than the video scale of 0–235. Also, the manual gives incorrect settings for black level. 5 IRE) recommended by the manual.