By Libba Bray
It’s 1895, and after the suicide of her mom, 16-year-old Gemma Doyle is distributed off from the lifestyles she understands in India to Spence, a formal boarding tuition in England. Lonely, guilt-ridden, and liable to visions of the longer term that experience an uncomfortable behavior of coming precise, Gemma’s reception there's a cold one. To make issues worse, she’s been via a mysterious younger Indian guy, a guy despatched to observe her. yet why? what's her future? And what is going to her entanglement with Spence’s strongest girls—and their foray into the religious world—lead to?
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Additional info for A Great and Terrible Beauty (Gemma Doyle, Book 1)
The pressure increases till I feel I will burst and then I’m under, a swirling tunnel of blinding color and light pulling me down like an undertow. I fall forever. Images race by. I’m falling past the ten-year-old me playing with Julia, the rag doll I lost on a picnic a year later; I’m six, letting Sarita wash my face for dinner. Time spins backward and I am three, two, a baby, and then something pale and foreign, a creature no bigger than a tadpole and just as fragile. The strong tide grabs me hard again, pulling me through a veil of blackness, till I see the twisting street in India again.
I want to stop her, pull her away. Every step forward is like pushing against the air, lifting my legs an agony of slow movement. The man stops, listening. His eyes widen. He’s afraid. There’s something coiled, waiting in the shadows at the back of the shop. It’s as if the dark has begun to move. How can it be moving? But it is, with a cold, slithering sound that makes my skin crawl. A dark shape spreads out from its hiding spot. It grows till it reaches all around. The blackness in the center of the thing is swirling and the sound .
Down at the far end of the train, the third-class passengers climb off in a thick tumble of arms and legs. Porters hurry to carry luggage and parcels for the first-class passengers. Newsboys hold the day’s papers in the air as far as their arms will stretch, screeching the most enticing headlines. Flower girls wander about, wearing smiles as hard and worn as the wooden trays that hang from their delicate necks. I’m nearly upended by a man buzzing past, his umbrella parked beneath his arm. “Pardon me,” I mutter, deeply annoyed.